These replaced Audioquest Forest interconnects for me. At first the extra high frequency was a bit much but I put the grills back on the speakers and they calmed down after a few days (or my ears adjusted).I liked them so much I replaced all my RCA cables with them

Forget about all the fancy hifi terms, it just sounds good and if you are looking for a good set of RCA, this is it.

Great product. Exactly as I expected. My first set of quality cables, and I am very happy with my choice. Delivery said 4 days. It was here on my doorstep in 2. Perfect buying experience.

I purchased these cables to connect between a new turntable and phono preamp. Low capacitance was important and this brand was recommended by several audiophile groups. Made in USA too.Phono cartridges generate very low level signals thus high quality cables are needed for this application. I am glad I spent the money for great cables like these.

Best cords for my system!

Big and audible difference from "free" cables, but in one meter and not having any EMI issues, they sounded no different than my Belden DIY or Audioquest Forrest set. Good value, well made, so if you are not a geek like me, a safe bet. I do not believe any more costly cables are any better. These do their job. If you had long runs or were having EMI issues, then a smart choice. Of course, if I was running more than 10 feet, I would be going XLR. Problem was they are so stiff and jacks so long, they lift my DAC off the desk and push my amp off the shelf. Returned.

This cable is excellent as phono cable from the turntable to a phono stage.12pF per foot (30cm), so 36 of in case of the 3 foot cable is great and even beats Mogami coax cables.Having the correct pF loading is important to get the frequency response of a MM cartridge right.In my case a AT VM95ML needs 100-200pF ideally.So we have Already 32 pF out of the tonearm , add 36pF from the cable , and another 75 pF of the phono stage (waxwing parks audio). So that’s already 143 pF with this amazing cable.Meaning many people overload their cartridges with noname or the wrong cables (project connect it, studio Mogami cables and many more, especially with long cable runs something crazy like 15 foot).Isolatin, connectors and everything about this cable is 100% solid quality

great quality cables, well finished and to my ears provide a transparent sound compared to my old links. Note that the plugs are quite long and so are not suitable to go in confined spaces. The cable is also thick and not very pliant so consider this when buying.

Instantly upgrade you can hear: bass boost and more solid sound stage. Build quality is nice too.

As stated in the headline, these are great cables which connect my Denon receiver's pre-amp output with my Marantz power amp. Amazing difference from cables manufactured by a great company with excellent customer service. Highly recommended on both counts!

As an aside, while writing this, I'm listening to Mozart's Piano Concerto 22 through a pair of Edifier R2000DB self-powered speakers. I'm running the Edifiers via a Schitt Modi 3 Digital to Analog converter (DAC) attached to my desktop PC. I'm using a custom Audioquest USB cable from the Modi 3 to the PC, and the BJC LC-1 Audio Cables from the Modi 3 to the Edifier Speakers.As I'm listening I have goosebumps on my arms and at times, tears in my eyes. And why? Because one simple investment - the BJC audio cable - brought a world of difference to the audio quality of the combination mentioned above. Please read on...Prior to investing in the BJC cables, I had been using a variety of Monster or Esoteric audio cables - all previously expensive versions left over from my die-hard audiophile days (when I almost went broke). Since that time I have been confining my audiophile endeavors to the immediate space by my desktop computer - because it is here that I spend a good 4-7 hours a day working, communicating, researching, and what have you. And during this process, I tend to listen to various classical, jazz, big band, Latin instrumentals, and other types of music. One thing is for certain and that is that although I've long since left my overly expensive audiophile tastes behind, my love for music and my discerning requirements haven't wavered.Up until I received the BJC cables, I was becoming increasingly frustrated with the audio quality I was getting with the Edifier and Modi 3 combination. I began to wonder if the either the speakers or the DAC were at fault and it was getting a bit depressing. I tried everything to get the music to sound more open, to get more depth and imaging. Yet there still seemed to be a sonic veil in front of the music - a feeling that performances just couldn't break open. In other-words, that feeling of "you are there" when listening to great equipment and great performers was sorely absent. I was almost ready to start looking for other speakers and DAC's when I began reading about the BJC cables. Initially, I had assumed that any investment in great cables was nothing more than snake oil - as my previous audiophile experiences had taught me (up to a point of course).So at the last minute I purchased a 3' pair of the BJC LC-1 audio cables off of Amazon. When they arrived I was immediately taken aback at their heft, size, and superior build quality. I wasted no time in getting them connected, that's for sure. When I began to listen to familiar pieces of various classical and jazz music, my jaw dropped, and I'll explain below:Now my comments below are not based on false assumptions, nor did I imagine any of this. I have what some would call critical ears when it comes to sound reproduction (within reason and limited budget of course).1. Build quality: Unbelievable for this price point. If you first saw these cables and were not aware of what they really cost, you would have assumed that they would have gone for well over $100 - up to $400 (not an exaggeration). They are substantially thicker than most other cables, and as mentioned, have some heft to them and superb connectors. Do note that because of their build qualities, if you have to get them into very tight spaces, they don't bend too freely, so you will have to do some adjustments here to be sure.2. Sound-staging, depth, and instrumental separation.The very first thing that struck me - like a slap in the face (in a positive way of course) - is how the sound staging opened up on the Edifiers. Music was much more open with plenty of air around the instruments. Imaging was superb - greatly improved over previous cables that I used. The depth was substantially improved with great instrumental recognition from front to rear. In other words, the speakers managed to disappear and only the performances were remaining.3. Orchestral Timbre and tone:Now look, I'm not a loud rock or heavy metal fan, so if that is what you're looking for, it won't really matter what cables you use. While listening, I had for the first time, heard tones and instruments that were previously hidden with other cables. Music sounded more alive - had more presence. Brass instruments now had a bite (yet with a rich, non-strident tone) that sounded as if you were there. High frequencies were exceptionally delineated without sounding harsh (unless of course, the music source material was bad to begin with). In particular, stringed instruments had a silky smooth sheen that was seductive.4. Bass capabilities:The bass tones improved dramatically, taking on a fuller (tighter with less bloat) than I had remembered with previous cables - and this was remarkable! When I played one of my favorite audio test pieces, "Copland's Fanfare for the Common Man," the visceral impact of both the kettle and bass drums were an eye opener.In the end, I felt like I was listening to an entirely new system - and that is no exaggeration. While listening to various pieces of music, the speakers seemingly disappeared, leaving only a crystal clear performance. What else can I possibly add to relay my admiration (and gratitude) for these BJC cables.So folks keep in mind that no one audio item within your music chain may is a "standard setter" per se. A truly great audio performance is the sum of all the other superb ancillary components and cables within the chain. Taken together - synergistically, that is - recorded music can come alive. All it needed in the particular setup I currently have was the inclusion of the BJC cables. Never before - in the 40+ years that I've enjoyed good audio - had any one cable contributed to so much of an improvement as what has occurred in my system. Thank you BJC - I'll definitely be buying more in the near future (and I've got your website bookmarked also).EDITED COMMENTS AFTER USING THESE LC-1 CABLES FOR A MONTH:My aforementioned comments stand about the Blue Jeans Cables in general. I've since (since the purchase of the LC-1's off of Amazon) approached Blue Jeans Cable (via their website) to ask about creating custom cables, or custom lengths. They were eager to oblige and we worked closely to devise the cables. For example, in one cas,e for anyone familiar with the excellent Edifier line of self-powered active speakers, you'll know that for many models, a unique proprietary type of speaker cable/plug assembly is included. The problem with these proprietary cables is that Edifier includes 11 - 16 long cables - not good if you want to space your near field monitors closely - let's say on a PC desktop.When I approached Blue Jeans Cable about possibly creating a higher quality, custom - yet much shorter 6' length of this Edifier proprietary cable, they asked that I send them the stock cable so they can evaluate and map out all of the connections - which they did. Their efforts resulted in a gorgeous, custom constructed speaker cord (with XLR type connectors), superbly sheathed being delivered to my doorstep within a week and the fit and sound results were exemplary. Additionally, these new shorter (yet higher quality) cord resulted in more open music, better delineation of instruments, and so much more.So as you can tell, I appreciate this company very much - they aim to please, but more so, their cable products are reasonably priced, yet allow you to achieve audiophile results.Ben HerrmannFuquay Varina, NC

I have compared a variety of cables from all kinds of manufacturers and have learned that only 3 things matter in an interconnect. The first is shielding this is used to stop hiss and hum from getting into your equipment. Any length of wire can become an antenna and cause noise issues. This is solved with what is called a faraday cage. This is the same principle for why you are safer in a car when lightning strikes electricity flows around but not through you. Electricity wants to find the quickest path to ground or the path of least resistance. This is done in a cable by putting a copper braid around the signal conductor so the noise is grounded out before it can reach the center conductor. The next is capacitance, capacitance occurs when you put two pieces of metal next to eachother separated by an insulator. Capacitance is the charge built up and released electrostatically, because this is an out of phase signal (speaker push in it push out or vice versa) that cancels out it will cause high frequency roll off meaning your speakers will be less bright or lose details in the high frequency range. The next is inductance, when a charge moves through a wire it generates a magnetic field. An audio signal is constantly changing therefore its intensity the magnetic field can change as well. The longer the wire the more magnetic field around it. when the signal changes the magnetic field tends to hang around for a small bit of time. because the magnetic field is created after the signal goes through it the current it induces back into the wire is out of phase also causing high frequency roll off. Inductance is lower in priority because it mostly effects current rather then voltage. The next is resistance which because RCA audio is a high impedance the resistance is irrelevant because the resistance of going through the equipment is so high it is literally thousands of time larger then in a cable. How are all these combatted? For capacitance you want to space the conductors away from one another but inductance you want them closer, for shielding you want a thick layer of copper braid or aluminum foil surrounding the center conductor. Ideally you want a precise balance of how close or far the conductors are so the only solution is shrinking the conductor. Decreasing the surface area therefore less capacitance and less inductance for more resistance you make the conductor thicker but with high impedance loads you can make it about as thin as you want with the exception of shielding. Because the shielding has less resistance then the center conductor so the faraday effect can take place which is also helped by the high impedance of the format. With all that said this is by far the best cable you can get all science included sturdy build, thick copper shielding, small center conductor, great connectors and of course USA made. With all that said here are some measurements i did with a DER EE DE-5000 LCR meter at 10khz where i found the best results i compared belkin, acoustic research, monster cable, wireworld audioquest and some DIY ones i had from mogami 2534 mic cable and a shortened monster component cable with new connectors. The lower the numbers here the better :Cable Test 10khzInterconnectsBJC LC-1 3ftcap: 44pfind: 0.62uHohm: 0.589AR master series 6ftcap: 160pfind: 1.5uHohm: 0.15AR performance series 3ftcap: 90pfInd: 0.75uHohm: 0.117AR master series comp 3ftcap: 63pfInd: 0.4uHohm:0.030AR master series comp 6ftcap: 113pfInd: 0.7uHohm: 0.049Wireworld Luna 1.5ftcap: 145pFind: 0.3uHohm: 0.116Wireworld solstice 1.5ftcap:160pFind: 0.28uHohm: 0.107Audioquest Chicago 1.5ftcap: 64.5pFind: 0.46uHohm: 0.058Monster 300mk2 3ftcap: 114pFind: 0.86uHohm: 0.121Belkin pureav blue 3ftcap: 120pFind: 0.76uHohm: 0.16Monster m1000comp DIY 1ftcap: 30pfind: 0.26uHohm: 0.021Monster m1000comp 4ftcap: 71pfind: 0.56uHohm: 0.035Mogamj 2534 2ftcap: 110pFind: 0.29uHohm: 0.043